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Steve is on the floor in the far-too-large garage that juts off one side of the mansion. It's one of the few places he's almost guaranteed privacy, since Tony usually doesn't want to talk when he comes in to work on his own vehicles and no one else has much reason to come in here at all.
For his part, Steve is working on the vintage Harley Knucklehead he still can't believe he owns. Even the one he had way-back-when ("way-back-when") technically belonged to the US government. This one, though, is his. A gift from the Avengers, Tony had said, for the Captain's first twenty-first-century birthday. Or his ninety-fourth. Whichever way he felt like looking at it.
The older man had made it seem like nothing. Steve couldn't possibly have disagreed more.
So there he is, checking every bolt and rod, humming quietly to himself as he does so.
It's The Star Spangled Man, for the curious.
Jane Foster is stuffing a piece of toast in her mouth and trying to read one set of notes around another armload of notes as she makes her way from the SHIELD offices in Times Square to the subway. She could take a company car, but she still hasn't quite accustomed herself to reliance on SHIELD, and given her recent track record, she'd as soon let someone else do the driving.
Coulson is being Coulson. In other words, he's early to a meeting with Tony Stark, expects Stark to be late, and so is watching Project Runway on one of the mansion's several big screen TVs in one of its several lounges.
Supernanny reruns are on next.
Tony Stark watches the clock and carefully makes himself late to his meeting with Agent Coulson, who is currently - according to JARVIS - sitting three floors up and five rooms over watching reality TV. Tony is on his third martini, has decided that martini glasses are for squares, and is now drinking out of a mug as he works one of JARVIS's projected simulations of a new suit design while sitting on a couch in one of the small libraries. This suit is tailored for high-altitude subsonic flight and work in other cold, low-oxygen environments. He's been thinking a lot lately about what happened to Rogers. This is his way of getting it out of his system.
"JARVIS. How much longer until Coulson's show is over."
"Twenty-three minutes, sir."
"Let me know when he's two minutes from the good parts."
"Of course."
For his part, Steve is working on the vintage Harley Knucklehead he still can't believe he owns. Even the one he had way-back-when ("way-back-when") technically belonged to the US government. This one, though, is his. A gift from the Avengers, Tony had said, for the Captain's first twenty-first-century birthday. Or his ninety-fourth. Whichever way he felt like looking at it.
The older man had made it seem like nothing. Steve couldn't possibly have disagreed more.
So there he is, checking every bolt and rod, humming quietly to himself as he does so.
It's The Star Spangled Man, for the curious.
Jane Foster is stuffing a piece of toast in her mouth and trying to read one set of notes around another armload of notes as she makes her way from the SHIELD offices in Times Square to the subway. She could take a company car, but she still hasn't quite accustomed herself to reliance on SHIELD, and given her recent track record, she'd as soon let someone else do the driving.
Coulson is being Coulson. In other words, he's early to a meeting with Tony Stark, expects Stark to be late, and so is watching Project Runway on one of the mansion's several big screen TVs in one of its several lounges.
Supernanny reruns are on next.
Tony Stark watches the clock and carefully makes himself late to his meeting with Agent Coulson, who is currently - according to JARVIS - sitting three floors up and five rooms over watching reality TV. Tony is on his third martini, has decided that martini glasses are for squares, and is now drinking out of a mug as he works one of JARVIS's projected simulations of a new suit design while sitting on a couch in one of the small libraries. This suit is tailored for high-altitude subsonic flight and work in other cold, low-oxygen environments. He's been thinking a lot lately about what happened to Rogers. This is his way of getting it out of his system.
"JARVIS. How much longer until Coulson's show is over."
"Twenty-three minutes, sir."
"Let me know when he's two minutes from the good parts."
"Of course."
TONY
She moves from the doorway, quickly crossing the room in long strides before snatching the mug of, a quick sniff - martini, of course - out of his hands and setting it far away from him. "It isn't even five o'clock, Tony."
Re: TONY
He swings his feet off the couch and onto the floor, brushing a hand through the 3D model. It flickers and vanishes. "And he always makes the meetings run long. He loves making the meetings run long. He would make them run long if I was early."
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"You'd never know considering you've never been early before." Because Pepper would definitely remember that day, might even put it in her top five most memorable days. "Do you know what you're talking about?"
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[Coulson and/or Tony]
She tries opening a door that looks like it might be familiar, and... no. And also, there's someone inside already. She stops, one hand on the door, and smiles apologetically. "Sorry." A pause, and then she admits, "I think I might be lost."
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He'll refuse to call her 'agent' until either a) the end of time or b) she gets issued credentials that actually mean something on this version of earth. "It's easy to do."
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Her eyes flicker past him to the TV for just a second, and she raises her eyebrows a little as she glances back to him. "Here on business?" she asks mildly.
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"Am I interrupting?" she asks after a moment. "I realize you probably can't get time alone very often..." She makes a little gesture to the door behind her, a silent offer to leave if he'd like.
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Steve stops abruptly and gives a little cough. He hauls himself upright and attempts to wipe some of the grease off of his hands and onto a hand towel, two fingers still wrapped around a wrench. "No! No, not at all. I was just..."
He gestures at the bike. "It doesn't really need any work- it's in beautiful condition, but. It's relaxing. Did you need something?"
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"No, I don't. I was just taking a walk around the building - I didn't know you'd be down here." She shrugs a little, grinning. "I guess I've never been very good at not doing anything. I'm not sure I can call this a vacation, but it's definitely a change of pace. This is actually the most time I've had off work in... over two years now, if you don't count time in the hospital."
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"I'm not very good at it either," he admits. "It's part of the reason I do so much volunteer work."
And so many public appearances. And so many personal museum trips, VA hospital visits...
Sometimes the whole villain-fighting thing doesn't fill enough hours in the day.
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Olivia spreads her hands, not quite a shrug, and looks at Steve with an expression she doesn't realize is a little pleading. She obviously doesn't have anything to do with all the time on her hands, in the meantime, and it might be bothering her more than she'd admit.
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Steve!
Anyhow, he has no consideration for Cap's private time, and sneaks into the garage because he can. He stands, leaning against a wall, for about a minute.
"The way I heard it, there's been more than one song written since 1945."
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Steve makes a small, strangled noise and then gives Bucky a Look over the seat of the bike. "It keeps repeating in in my head. I'm trying to get it out, and nothing I've listened to is helping."
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COULSON.
Which is why she's just wandering the Mansion, not really caring where she ends up when there's the tell-tale sounds of... Project Runaway? Quickly finding the offending lounge, Darcy sticks her head in expecting to find Cap or someone who doesn't know better and is instead greeted with Coulson.
"Are you kidding me?"
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Yes, he's watching Project Runway. No, he doesn't particularly care what your feelings on the matter are, Agent Lewis.